From Sudan to Leeds: shaping stories through clay

At Sunken Studio, we’re continually inspired by the diverse voices and perspectives that come together in our space. Each member brings something unique, and Enas, a Sudanese-Canadian artist, is no exception.

Enas’s ceramic practice is deeply personal, weaving themes of identity, history, and resilience into her work. Originally trained as an architect, her journey has taken her from Khartoum to Toronto and now Leeds. Along the way, she has transitioned from design to ceramics, finding in clay a medium capable of carrying powerful narratives.

One of her ongoing projects, the Daloka Girls’ Songs Series, reflects on the layered meanings of Aghani al-Banat - songs historically sung and drummed by Sudanese women. These songs, while celebratory in some contexts, also mirror the complex lived experiences of women, making them cultural markers and profound testimonies.

Through her sculptures, Enas documents stories that are often silenced, confronting sensitive and painful themes with care and intent. Her work honours and acknowledges the strength of those affected by injustice, creating pieces that preserve personal and collective histories.

Ceramics, for Enas, is a way to tell stories that demand to be heard, even when they’re difficult to hold.

We’re grateful for the conversations her work sparks in the studio, as they remind us of the many ways clay can connect us, preserve meaning, and inspire reflection.

Find out more about Enas’s work at enassatir.com.