On Saturday 22nd September we’ll be taking part in Manchester’s first wellness festival. We’re delivering a short clay basics workshop at 5pm. Connect with the ground, use your hands and get proper messy in this one-hour class. Squeeze on, switch off, come home with a piece you’ll treasure forever.
Float is a one-day festival and brings together makers, foodies, ideas creators, mindfulness practitioners, business/personal development gurus and yoga teachers to open your eyes and quiet your mind. Head to Float to learn more and book tickets.
Come and try your hand at sgraffito in our wall decor workshop at Mauds House, Skipton. Learn how to transfer, cut, carve and scratch designs into colour coated clay to produce a wonderfully tactile ceramic wall hanging. Hattie at Mauds House has selected a beautiful colour palette for you to use.
Sunken Studio will provide everything you need to make a ceramic wall hanging. Please note, fired pieces will be returned to you with the materials needed to finish constructing your hanging at home.
Post production costs: single firing.
Packaging. Postage is not included.
Following the workshop your work will be transported back toSunken Studio and fired. Finished works will be available for collection from Mauds House within 28 days after the session. If you are unable to collect we can arrange for your work to be delivered for £10 per address.
Terms and Conditions
Please review our fullTerms and Conditions before you book. Late cancellation and changes to agreed bookings incur charges.
What you need to know
This experience is for adults (18+) only.
Finished works, fired and glazed (where needed), will be available for collection from Mauds House within 28 days after the session. If you are unable to collect we can arrange for your work to be delivered for £10 per address.
It’s standard workshop practice to wear flat, sturdy shoes with covered toes. Please protect your feet.
Rings and long fingernails can be problematic when working with clay – please consider this when booking.
If you have any concerns about specific access requirements please contactSunken Studio.
About Mauds House
Mauds House is a beautifully curated independent store selling homewares and lifestyle products both old and new chosen from across the globe. Mauds House is owned by Hattie Crook and reflects her passion for illustration, design and mindfulness.
The popup shop at Carousel in Headingley was an opportunity to showcase our ceramic products – necklaces, brooches, bangles & spoons – alongside our clay workshops. The aim was to have a street presence where we could promote the studio and chat to passers by. The popup shop is smaller than our permanent ceramics studio in Roundhay. However, because it doesn’t contain all the tools & kit needed to operate a ceramics studio we were also able to invite bigger groups, more frequently, into the space. We hosted a range of introductory clay workshops in the Headingley space. The workshops covered coil building (Coil), spoon making (Whittle) festive bell making (Chime) and decorative ceramic Christmas decorations (Scatter). The larger space meant we could also accommodate larger private group bookings.
Earlier this year I invited Jenna Lee Alldread to the studio to work on a few examples for a ceramics workshop I was developing – Ceramics Taster: Trail. The workshop is an introduction decorative techniques. It covers working with coloured slips and explores techniques in applying pattern and illustrations to flatware (clay plates and tiles). The techniques covered include stencilling, sgraffito and slip trailing with coloured slip.
After workshops people regularly comment on how therapeutic they have found their experience with clay. I’m frequently asked if I find it therapeutic. My immediate response has been no. My mind jumps to all the problems I encounter and the constant disappointments. That said, I’ve been thinking about why, despite the challenges that the material presents, I’ve been loyal to it for over 20 years.
I enjoy the problems and challenges. I’m rewarded when a problem has been solved. Clay, and working three-dimensionally, has made me more resilient & determined. It’s provided me with so many opportunities to know myself and develop my conceptual and critical thinking. Shaping lumps of matter has been transformational.
Is it good for your health and wellbeing? Absolutely, but I describe it as feedback. It’s a reciprocal conversation that changes as the material’s properties change – plastic, leather hard, green, bisque etc… It’s also a conversation that’s enriched as you learn more about how it’s shaped how we live & what we know about our past.
If you listen to it & reflect on what it gives, it’s possible to learn something about yourself and the way you approach & resolve problems. In a culture that puts too much emphasis on cognitive intelligence, clay exerts its presence to give meaning and substance to what can be achieved with both body & mind. I’m thankful for that. In the past few years I’d not been making. I’d become quite miserable and began to dislike myself. I guess it all boils down to connecting – relating to clay involves many of the same challenges involved in relating to people.